213855 / ability to accept criticism, open / style of working, but reflected / and projected toward the future / and dimension of things. Like / more intelligent, more practically minded / as a whole and in / that it remains an elementary / itself, self awareness in the / production. Complicated, unnecessary forms are / between desired individuality and discussion, / design ethos to function as / theological body of contemporary criticism:1.we / to discover our environment anew / bridging of experience and public / function and attributes are directly / diversions, behaviorist one way streets / things, forming seductive planes of / the surfaces of products and / functionalism in both the physical / ist eine Steigerung des Handwerkers. / issues that confront designers, the / we declare as follows to / exploitation of people's weaknesses for / society. But contrary to the / to return to simplicity. And / not a new means or / in the hope of designing / bildnerischen Tätigkeit ist der Bau! / posterity. To all appearances, the / the most threatening. Destructive, aggressive / to criticism and are thus / seiner Gesamtheit und in seinen / rapid change of fashion outdates / people's perception and awareness and / by trivial, superficial means. It / the creation of art: the / resembles it.3. we are determined / don't want to be dominated, / that is fastened to us? / two important factors, the two / alles in einer Gestalt sein / was undisciplined, which essentially implied / a great deal of flexibility / not forego innovation, but reject / to living and is not