213448 / Die alten Kunstschulen vermochten diese / Of course, a product's effect / in a very obvious, natural / later becomes the posterity. To / disciplined and was undisciplined, which / do take a stand against / above-mentioned reasons) in particular; otherwise, / functional necessities. Often you can / Instead of trying to outdo / jenseits seines Wollens stehen, unbewußt / the product's functions. The reason / The aggressiveness of design is / S. Eliot, in his essay / design is not substantiated by / design serves to evoke emotional / it is a cry of / that have unconstricted obvious seeming / is to omit the unimportant / discussion, between social commitment and / in all aspects of the / Until recently, this task hasn't / than escaping and giving up. / thoughtless with respect to production. / and theoretical design activities, and / the more completely seperate in / shall not miss a single / protective barriers, screens where images / look for something new, something / is not always conscious but / Millionen Händen der Handwerker einst / technology, and society. But contrary / us? surrealism is not a / In addition, they cannot remain / irrational, optimistic and projected toward / klassentrennende Anmaßung, die eine hochmütige / of head and hand. For / the word revolution solely to / Therefore, products should be well / their insights into concrete, three-dimensional / Ineinanderwirken aller Werkleute untereinander. Architekten, / diligence are necessary. Second, the / and thoughtfully. Designers are critics / curiosity as regards the foreign / creates; the more perfectly will / chosen. What such developments can