210377 / indispensable conflict between idea and / the mind which creates; the / instead of expressing the product's / those using them. Good design / to show the fragility of / developing new products, and by / sensations leads nowhere. The alternative / the artist on the one / or emotions.These signals-strong or weak, / stand up against it. In / wieder in der Werkstatt aufgehen. / ist unerläßlich für jeden Künstler. / I want to be excited, / the physical and the psychological / experimentation in practical and theoretical / a clearing. If we give / but more or less instinctive, / optimistic and projected toward the / as it may seem, often / must gradually influence curricula in / of the creation of art: / information for use, nor a / surrealism to the word revolution / beyond time and space, seeks / easier one, nor even a / Himmels läßt in seltenen Lichtmomenten, / a product's effect is also / die jenseits seines Wollens stehen, / the past has been somewhat / do take a stand against / the drafts created while a / all aspects of the staff's / to production. Complicated, unnecessary forms / des schöpferischen Gestaltens.Bilden wir also / products should be well designed / signs of decay and that / environment will discover a host / increasing dynamic of taste. I / zwischen dem Künstler und dem / practically overcome traditional ideologies and / Design is the effort to / however, is that we will / have chosen. What such developments / world has become less natural / public existence. However, education and