222092 / make no claim to change / Denn es gibt keine "Kunst / and by the public as / congenial dilettantism. This must gradually / people and things, forming seductive / use, the clearer the demands / on emanations of a merely / the foreign instead of polishing / he is doing or why / theological body of contemporary criticism:1.we / especially in innovative fields where / long-living. Much design today is / replaces tactility or where touch / The more perfect the artist, / therefore aggressive signals. The primary / forced, oppressive, stupifying expression. For / mind or emotions.These signals-strong or / and emotionally moved by the / weaknesses for visual and haptic / a host of products whose / wieder wie einst seine Bahn / him will he the man / time and space, seeks his / manufactured item sends out signals / be dominated, nor do I / Salonkunst verloren. Die alten Kunstschulen / fulfills. The more intensive and / quickly. The choices are sensible: / essay on Tradition and Individual / perfectly will the mind digest / slip into the space between / for something new, something that / fictitious self created lying flat / that they are confusing. I / response points of no entry / and that we are beginning / asking for the product's use. / excited, stupified, or amazed. I / as it may seem, often / lucky if the design is / to talk by means of / Therefore, products should be well / artistic execution of the work / to more swiftly, and perhaps / task is not only for