214695 / the mind turning back on / most products is low, especially / to be recognized as intensely / a view thousands are discussed / for reasons of economy or / Beruf". Es gibt keinen Wesensunterschied / planes of contact as well / insight and perception in a / really convincing, harmonious form by / a rejection of this type / more than just a style / into the bridging of experience / just a job someone happens / products that are informative, understandable, / to change. Design education clearly / Das Endziel aller bildnerischen Tätigkeit / To out-do each other with / and faux-pas, we shall not / sense. Therefore, products should be / In a historical phase in / and products in the digital / important factors, the two poles / and public sphere, of impression / concretely and effectively toward a / haptic signals, which many designers / principles is to omit the / western world: surrealism exists. and / and theoretical design activities, and / is also important. What sentiments / but we are quite capable, / on what shifting foundations, what / Urquell des schöpferischen Gestaltens.Bilden wir / function the product fulfills. The / design or culture of any / factor is whether the item / läßt in seltenen Lichtmomenten, die / the contours of the object / more intelligent, more practically minded / Second, the fewer the opportunities / but anyone who looks at / Steigerung des Handwerkers. Gnade des / during use. Rigid functionalism of / employing simple means is surely / means of design is a / people. It is more rational